by Walter G. Tarrow
“All I know is sometimes, if there’s too many white people, I get nervous, you know.”
In the mind of a black American, beneath that skin of a different color, lives the seemingly eternal question… what is really behind those peaceable and welcoming faces of white middle and upper class Americans?
Jordan Peele has set aside his wild comedic energies to craft a horror thriller that builds from subtly creepy moments of tension into a most extreme extension of where beliefs and actions about racial stereotypes might lead us, regarding racism, slavery and eugenics, at least metaphorically. Or one would hope only metaphorically.
A white girl takes her black boyfriend Chris to meet her wealthy white family, the Armitages, and their friends on their remote estate. Through Peele lingering on reaction shot after reaction shot, Chris, and we, come to question and doubt the warm reception, the smiles, the genteel small talk. What begins as awkward dinner conversation builds to more disturbing and sinister realizations as the family’s group of friends descend on the estate for an annual party.
At the party, the guests treat Chris with respect, admiration, even reverence. Well beyond, “some of my best friends are black” attitudes. Even the sole other black man in attendance, along with the Armitages’ black housekeeper and groundskeeper, behave very Anglocentric, prim and proper. Sinister indeed.
Soon after, the horror escalates as Chris finds himself at the mercy of their absolute love. The film then delivers classic tropes of an escape thriller very believably. Peele delivers the expected, but avoids the clichés, in a most satisfactory way.
A tight film expertly executed that could start discussions worth having. Even if you’re not racist.
4 Comments